Helen Keller once said, ‘Hope sees the invisible, feels the intangible, and achieves theimpossible.’ This sentiment is the very essence of Ordinary Angels, a 2024American drama film.Directed by Jon Gunn and written by Meg Tilly and Kelly Fremon Craig, this film has been inspired by true events from the 1994 North American cold wave. The film features a stellar cast that includes Hilary Swank, Alan Ritchson, Nancy Travis, and Tamala Jones, and brings to life a powerful story of perseverance and kindness.Sharon Stevens, unlike your typical girl-next-door, docile heroine, is a spirited hairdresser with a bit of a wild side, living a life full of spontaneity and energy. But beneath her vibrant exterior lies a heart yearning for purpose. One night, after a bout of drinking and an uneasy attempt at an Alcoholics Anonymous meeting (in the US primarily, this is a fellowship of people who come together to solve their drinking problem, and is open to anyone who wants to do something to achieve sobriety), Sharon comes across a news story about Michelle Schmitt, a five-year-old girl in urgent need of a liver transplant after losing her mother. Deeply moved, she attends the funeral and introduces herself to the grieving family, offering to help in any way she can..Michelle's widowed father, Ed, is a man weighed down by grief and responsibility. Played with quiet intensity by Alan Ritchson, he is shown to love his daughters fiercely but feels helpless against the mounting medical bills and the crushing weight of his loss. He isn’t looking for a saviour, but upon meeting him, Sharon’s determination towards her new-found purpose is relentless. She charges into his life like a force of nature—rallying the community, cutting through red tape, and proving that even in the darkest times, there’s room for extraordinary kindness—something that has been, is, and always will be relevant to humanity. As she becomes increasingly involved in their lives, she forms a deep bond with his family, drawing parallels to the family that she herself has fractured.Across cultures, we admire those who step up to help others, even when they have nothing to gain. Sharon’s relentless determination and selfless service mirror figures like Hanuman from Hinduism, who moved mountains for Ram and Lakshman—just as Sharon moves heaven and earth to save Michelle. Ed’s quiet resilience may remind us of Sudama (Krishna’s childhood friend), whose endurance through hardship and faith eventually brings unexpected aid. The town’s collective efforts to help the Schmitt family highlight the universal truth that kindness and unity can create miracles.Sharon’s transformation is reminiscent of the Parable of the Prodigal Son (Lk 15:11-32) given her journey of redemption and purpose that echoes across various spiritual and philosophical beliefs. She is not without flaws; her battle with alcoholism resurfaces at a critical moment, leading to a painful falling-out with Ed. It is only after this wake-up call that she begins to take her own healing seriously, committing fully to sobriety and seeking reconciliation with her estranged son. Meanwhile, as Michelle’s condition worsens, the film builds to a poignant climax: a desperate race against time to get to a hospital in Omaha amidst a paralysing snowstorm. What follows is a testament to faith, resilience, and the extraordinary power of human connection..The cinematography bathes the story in a warm glow, emphasising both the bitter cold of the setting and the warmth of human connection. Swank delivers one of her most engaging performances, while Ritchson’s portrayal of Ed is deeply moving, delivering a perfect counterbalance to Sharon’s unyielding energy.The film doesn’t preach; instead, it portrays faith as a quiet, guiding force that reveals itself through action—through love, service, and community—something every faith, movement, and society should ideally stand for. It reflects the idea found in many traditions: that grace often comes not through grand miracles but through ordinary people choosing to do extraordinary things.