Perfect Days, directed by Wim Wenders, is a 2023 drama that throws light on how the seemingly mundane aspects of life can turn out to be significantly extraordinary. The film revolves around Hirayama (Kōji Yakusho), a public toilet cleaner in Tokyo, whose seemingly unremarkable life reveals profound beauty, meaning, and complexity. Wenders crafts a quiet masterpiece, inviting viewers to find solace and reflection in the rhythms of Hirayama’s routine and the understated richness of his world.At its core, the film is a character study of Hirayama, a man of meticulous habits who finds dignity in his work, tending to public spaces with care and respect. His life is a tapestry of small joys: sandwiches under the shade of trees, the interplay of sunlight filtering through leaves (Komorebi), and a deep appreciation for music cassettes and literature. Hirayama’s pride in his work echoes the principles of Karma Yoga in Sanatana Dharma, where performing one’s duty with devotion and detachment from results becomes a form of spiritual practice. His dedication embodies the Bhagavad Gita’s wisdom: Yogah karmasu kaushalam (Yoga is excellence in action). For Hirayama, cleaning public toilets transforms into a meditative act, anchoring him in the present.Hirayama’s communion with nature, particularly his love for trees and Komorebi, parallels the Sanatana Dharma’s reverence for Prakriti (nature). His photographs of tree branches and his quiet moments under their shade reflect the Upanishadic ideal of learning from creation’s wisdom. As the Vedas remind us: ‘Ishavasyam idam sarvam’ (The divine pervades everything in the universe)..The narrative deepens as Hirayama interacts with those around him. Each encounter sheds light on his guarded inner world. His young assistant Takashi contrasts sharply with Hirayama’s disciplined demeanor. Takashi’s loud, impulsive nature and carelessness—seen in his treatment of Hirayama’s cherished cassettes—highlight the generational divide between them. Despite his flaws, Takashi’s moments of vulnerability hint at the tension between youthful impulsiveness and the grounding that comes with experience.Aya, a fleeting presence in Hirayama’s life, leaves an indelible mark. Her return of Hirayama’s Patti Smith cassette and a tender moment of gratitude reveal the beauty in transient human connections. Niko, Hirayama’s niece, offers a rare glimpse of joy and companionship. Through their shared routines and tree-photography outings, Hirayama’s capacity for warmth and care becomes evident, though her eventual departure with his estranged sister Keiko reopens wounds of familial separation.Keiko’s visit forces Hirayama to confront his past and the divide between their worlds. Her disbelief at his work and updates about their father’s declining health underscore the emotional chasm between them. Hirayama’s refusal to visit his father, coupled with his inconsolable tears, reflects his unresolved grief and inner turmoil, exposing the weight of familial expectations and the pain of estrangement.Visually, the film is a poetic marvel. Wenders transforms Tokyo’s public spaces into breathtaking canvases, with cinematography that captures the interplay of light, shadow, and texture. Lingering shots of natural beauty juxtaposed against the urban sprawl mirror Hirayama’s own duality: a structured exterior brimming with unspoken emotions. Recurring motifs like analog photography and cassette tapes add texture and nostalgia, symbolizing permanence amidst change. Dream sequences, flickering and impressionistic, offer a glimpse into Hirayama’s subconscious, providing a stark yet poignant contrast to his regimented daily life..The film’s musical landscape is equally evocative. Hirayama’s eclectic cassette collection, featuring artists like Nina Simone and Patti Smith, serves as a soundtrack to his inner world. The climactic use of Simone’s Feeling Good encapsulates the film’s themes of renewal and resilience, marking a poignant conclusion to Hirayama’s emotional journey.In many ways, Perfect Days echoes the sentiment of Mitsuo Aida’s Japanese poem My Beautiful Life. The poem celebrates simplicity and authenticity, resonating with Hirayama’s life of understated grace:‘Because it has lived its life intensely the parched grass still attracts the gaze of passers-by. The flowers merely flower, and they do this as well as they can.’ Through Hirayama, the film invites us to reconsider what it means to live a meaningful life. Is it about grand achievements, or is it found in the care we take with the little things, the people we meet, and the beauty we notice?Perfect Days premiered on 23 May 2023, at the 76th Cannes Film Festival, where it competed for the prestigious Palme d'Or. The film won the prize of the Ecumenical Jury and earned Kōji Yakusho the Best Actor award for his remarkable performance. Additionally, Perfect Days was nominated for Best International Feature Film at the 96th Academy Awards, making history as the first film directed by a non-Japanese filmmaker to be selected as Japan's official entry.More than a film, Perfect Days is an introspective journey that reminds us to find meaning in the ordinary, to embrace the cycles of connection and loss, and to honor the dignity in all forms of labor. Through Hirayama’s story, Wenders invites us to see the extraordinary within ourselves and the world around us.
Perfect Days, directed by Wim Wenders, is a 2023 drama that throws light on how the seemingly mundane aspects of life can turn out to be significantly extraordinary. The film revolves around Hirayama (Kōji Yakusho), a public toilet cleaner in Tokyo, whose seemingly unremarkable life reveals profound beauty, meaning, and complexity. Wenders crafts a quiet masterpiece, inviting viewers to find solace and reflection in the rhythms of Hirayama’s routine and the understated richness of his world.At its core, the film is a character study of Hirayama, a man of meticulous habits who finds dignity in his work, tending to public spaces with care and respect. His life is a tapestry of small joys: sandwiches under the shade of trees, the interplay of sunlight filtering through leaves (Komorebi), and a deep appreciation for music cassettes and literature. Hirayama’s pride in his work echoes the principles of Karma Yoga in Sanatana Dharma, where performing one’s duty with devotion and detachment from results becomes a form of spiritual practice. His dedication embodies the Bhagavad Gita’s wisdom: Yogah karmasu kaushalam (Yoga is excellence in action). For Hirayama, cleaning public toilets transforms into a meditative act, anchoring him in the present.Hirayama’s communion with nature, particularly his love for trees and Komorebi, parallels the Sanatana Dharma’s reverence for Prakriti (nature). His photographs of tree branches and his quiet moments under their shade reflect the Upanishadic ideal of learning from creation’s wisdom. As the Vedas remind us: ‘Ishavasyam idam sarvam’ (The divine pervades everything in the universe)..The narrative deepens as Hirayama interacts with those around him. Each encounter sheds light on his guarded inner world. His young assistant Takashi contrasts sharply with Hirayama’s disciplined demeanor. Takashi’s loud, impulsive nature and carelessness—seen in his treatment of Hirayama’s cherished cassettes—highlight the generational divide between them. Despite his flaws, Takashi’s moments of vulnerability hint at the tension between youthful impulsiveness and the grounding that comes with experience.Aya, a fleeting presence in Hirayama’s life, leaves an indelible mark. Her return of Hirayama’s Patti Smith cassette and a tender moment of gratitude reveal the beauty in transient human connections. Niko, Hirayama’s niece, offers a rare glimpse of joy and companionship. Through their shared routines and tree-photography outings, Hirayama’s capacity for warmth and care becomes evident, though her eventual departure with his estranged sister Keiko reopens wounds of familial separation.Keiko’s visit forces Hirayama to confront his past and the divide between their worlds. Her disbelief at his work and updates about their father’s declining health underscore the emotional chasm between them. Hirayama’s refusal to visit his father, coupled with his inconsolable tears, reflects his unresolved grief and inner turmoil, exposing the weight of familial expectations and the pain of estrangement.Visually, the film is a poetic marvel. Wenders transforms Tokyo’s public spaces into breathtaking canvases, with cinematography that captures the interplay of light, shadow, and texture. Lingering shots of natural beauty juxtaposed against the urban sprawl mirror Hirayama’s own duality: a structured exterior brimming with unspoken emotions. Recurring motifs like analog photography and cassette tapes add texture and nostalgia, symbolizing permanence amidst change. Dream sequences, flickering and impressionistic, offer a glimpse into Hirayama’s subconscious, providing a stark yet poignant contrast to his regimented daily life..The film’s musical landscape is equally evocative. Hirayama’s eclectic cassette collection, featuring artists like Nina Simone and Patti Smith, serves as a soundtrack to his inner world. The climactic use of Simone’s Feeling Good encapsulates the film’s themes of renewal and resilience, marking a poignant conclusion to Hirayama’s emotional journey.In many ways, Perfect Days echoes the sentiment of Mitsuo Aida’s Japanese poem My Beautiful Life. The poem celebrates simplicity and authenticity, resonating with Hirayama’s life of understated grace:‘Because it has lived its life intensely the parched grass still attracts the gaze of passers-by. The flowers merely flower, and they do this as well as they can.’ Through Hirayama, the film invites us to reconsider what it means to live a meaningful life. Is it about grand achievements, or is it found in the care we take with the little things, the people we meet, and the beauty we notice?Perfect Days premiered on 23 May 2023, at the 76th Cannes Film Festival, where it competed for the prestigious Palme d'Or. The film won the prize of the Ecumenical Jury and earned Kōji Yakusho the Best Actor award for his remarkable performance. Additionally, Perfect Days was nominated for Best International Feature Film at the 96th Academy Awards, making history as the first film directed by a non-Japanese filmmaker to be selected as Japan's official entry.More than a film, Perfect Days is an introspective journey that reminds us to find meaning in the ordinary, to embrace the cycles of connection and loss, and to honor the dignity in all forms of labor. Through Hirayama’s story, Wenders invites us to see the extraordinary within ourselves and the world around us.