In the Puranas, it is said that every village was born under the gaze of a guardian deity, or a grama devata who watched over the land, its people, their harvest, and their harmony. When arrogance rose or dharma wavered, the deity would descend, not in grandeur but through the bodies and voices of ordinary men. This idea, that the divine breathes through the humble, that the gods of the soil protect those who live by it, was the beating heart of Kantara (2022). In Kantara: A Legend – Chapter 1, Rishab Shetty returns to tell us where it all began, tracing the origins of the daivas (godheads) Panjurli and Guliga, whose fierce love and terrifying justice shaped the destiny of the forest and the people who served them.Set during the reign of the Kadamba dynasty, the film begins in the shadow of human greed. King Vijayendra of Bangra (played by Jayaram), driven by a desire for the rare spices of the Kantara forest, crosses into the forbidden land. There, the unseen forces of the forest’s guardian daivas manifest, their wrath swift and absolute, reminding mortals that the earth cannot be owned. The king’s son, Rajashekara, haunted by what he witnesses, forbids anyone from entering the forest. Within this world of uneasy peace, a child is discovered inside a sacred well. Berme (played by Rishab Shetty) is raised by a tribal woman who believes that he is a blessing from the gods. From the moment he opens his eyes, his life is marked by omens and echoes of destiny.As Berme grows, he finds himself navigating through two worlds—the simple devotion of his tribe and the ambition of men who trade the forest’s bounty for power. His path crosses with Princess Kanakavathi (played by Rukmini Vasanth), whose grace hides dangerous ambition. With the story erupting into chaos and destruction, driven by human greed for the Eeshwara Bhoomi, Rajashekara’s forces bring devastation to the tribe..Kantara: Chapter 1 goes beyond spectacle. It meditates on faith as a living force. The villagers’ belief in the daiva is not superstition; it is survival. The film shows Hinduism not as doctrine but as experience, a mosaic of worship, where forest and fire, woman and goddess, all become one continuum of faith.As the story deepens, Kanakavathi’s deception comes to light. She seeks to trap the daivas, to harness divine energy for mortal gain. It is here that Berme’s journey becomes mythical. Guided by a fisherman who appears like a messenger of fate, he returns to the sacred well, the same circle that would later swallow Annappa and Shiva in the original Kantara. Inside, he discovers a hidden shrine, a trishul, and a shivalinga that crackles with celestial power. Guliga’s fire merges with the feminine energy of Chavundi, the goddess of fierce compassion. What follows is the film’s breathtaking climax, where Berme, now both vessel and divinity, confronts Kanakavathi and Rajashekara as flames engulf the palace. When Kanakavathi mocks the daiva, Chavundi’s presence descends through Berme, and her destruction becomes inevitable. In this union of rage and grace, the film captures the very soul of Hindu thought, that creation and destruction are not opposites, but two breaths of the same divine will.Visually, the film transcends the limits of its predecessor. Rishab Shetty’s portrayal of Berme is extraordinary. His performance is not an act of imitation but of surrender. The film’s emotional depth lies not just in his transformation, but in the silences between his moments of rage, when he looks at the forest with reverence, when he weeps by his mother’s body, when he dives into the sacred well, knowing he will never return.By the time the circle closes, we understand the legend. The sacred well of Berme is the same one that would later take Shiva, completing a cycle that began centuries ago. This isn’t just a tale; it’s a reflection of how devotion, when pure, can move mountains, summon gods, and cleanse the corruption of power. In Kantara: A Legend - Chapter 1, faith is not fragile; it is feral, breathing through wind and flame, whispering through the trees that gods never abandon those who remember them.The gods of Kantara do not stay on the screen—they walk beside us, reminding us that every village has its guardian, every forest, its spirit, and every soul, its calling towards the divine.